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Edgar Degas, Danseuse vue de dos: Port de bras, 1875-85, c.

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Unlike many of his colleagues who exhibited in the Impressionist exhibitions, Degas was a consummate draughtsman. He had a reverence for the artistic feats of previous masters, especially French painters such as Delacroix, Ingres and Corot. For Degas, his respect for art of the past was grounded in an admiration

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